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B.A. Brandeis University (Sociology) 1970 I have long been fascinated with the relationship between the cinema and more traditional art forms as well as in historical representation in cinema. I have been fortunate to work at Queens College where I have been afforded many wonderful opportunities to work with a wonderfully diverse and responsive student body. My most important task is to challenge students to learn how to read critically, think independently, reflect more deeply, and write thoughtfully, carefully and effectively. My motto: no free ride but always fair play. Recent publications or scholarly/artistic projects: My current project involves writing a book on the representation of the Holocaust in World Cinema. Tentative Title: Black Suns "Et tu, Sergei?: Eisenstein at 100." Cineaste FORTHCOMING "Film Research in Poland." Slavic and East European Performance, Vol. 20, No. 3 (Fall 2000): 31-34. "Who Cries for Germany?: Germany, Pale Mother." Cineaste, Vol. XXIV, No. 4 (Winter 1999): 51-52. "If Only Life Were So Beautiful..." Cineaste, Vol. XXIV, Nos. 2/3 (Spring 1999): 20-22. Professional affiliations: Society for Cinema Studies Three books (movies/TV shows/web sites) that every communication major should read (see): All film students must see Dziga Vertov's Man with a Movie Camera and Orson Welles' Citizen Kane. Every beginning student must read Ben Bagdikian's somewhat outdated, but still "right-on" book: The Media Monopoly. Boston University, BFA Theatre Performance Dr. Einstein has over 20 years of experience in the media and entertainment field. Before coming to Queens, she held positions at the NBC Television Network as well as at MTV Networks. Dr. Einstein has worked at major advertising agencies including Doyle Dane Bernbach and Backer Spielvogel Bates (now Bates Worldwide) where she worked on such varied accounts as Miller Beer, Colombian Coffee and Atari International. Dr. Einstein is married to Jeff Einstein, one of the founders of the Silicon Alley, and is most proud of her recent achievement -- daughter, Cayla. Classes recently taught: Media 260: Advertising & Marketing and Media 100: Contemporary Media, Internship Program Recent publications or scholarly/artistic projects: TV Research and Marketing -- Article in TV Studies Book, Faculty/Mentor Project -- Changing Revenue Models on the Internet Professional affiliations: Academy of Television Arts and Sciences, ICA, NCA, SSSR Three books (movies/TV shows/web sites) that every communication major should read (see): Network (film), Amusing Ourselves to Death by Neil Postman, Inside Prime Time by Todd Gitlin Adjunct Assistant Professor Media Studies As a life-long New Yorker, I was educated within New York City's public school systems--from first grade to Ph.D. As a generalist in human communication I have, among other things, researched how head and hand gestures support listeners' comprehension of videotaped spoken messages. I recently combined a hobby (writing small computer-programs) with my calling as an educator. One result was a typing-tutor program for people who can only use one hand. My other free-time interests include playing acoustic guitar and taking photographs of New York City's river views and parks. Courses recently taught: Media 351: Propaganda, Media 151: Public Speaking, Media 103: Interpersonal Communication, Media 257: Nonverbal Communication, Media 252:Small Group Communication Associate Professor of Media Studies at Queens Recent Publications: Culture Works: The Political Economy ofCulture. Editor. University of Minnesota Press (Fall 2001). Global Hollywood. Co-author with Toby Miller (lead author), Nitin Govil, and John McMurria. London: British Film Institute (Summer 2001). Special Issue: Remembering Herbert I. Schiller. Guest editor. Television and New Media. Volume 2, Number 1. February 2001. The Spectacle of Democracy: Spanish Television, Nationalism, and Political Transition. University of Minnesota Press, 1995. "Political Economy within Cultural Studies," in T. Miller, ed., Blackwell's Companion to Cultural Studies, in press, Fall 2001. "Why Culture Works," in Culture Works: The Political Economy of Culture, University of Minnesota Press, Fall 2001. "Remembering Herbert I. Schiller," Television and New Media. Vol. 2 No.1, February 2001, pp. 3-6. "Picturing the Audience," Television and New Media, Vol. 1 No. 2, May 2000, pp. 135-57. "New Media Technologies in Spain: A Healthy Pluralism?" in B. Jordan and R. Morgan-Tamosunas, eds., Contemporary Spanish Cultural Studies. London: Arnold Publishers 2000. "Marketing with Local Culture in Spain: Selling the Transnational Way" in B. Jordan and R. Morgan-Tamosunas, eds., Contemporary Spanish Cultural Studies. London: Arnold Publishers 2000. "Cultural Studies," in G. Browning, A. Halcli, and F. Webster, eds., Understanding Contemporary Society. London: Sage Publications Ltd. 2000, pp. 281-295. "Surveillance and Other Consuming Encounters in the Informational Marketplace," in I. Hagen and J. Wasko, eds., Consuming Audiences: Production and Reception in Media Research. Hampton Press Inc, 2000, pp. 95-110. "The Marketplace Citizen and the Political Economy of Data Trade in the European Union," Journal of International Communication, 6:1, June 1999, pp. 41-56. Maxwell's Pics: Education: J.D. Georgetown University Law Center, Education: M.A. University of North Carolina. Education: PhD. New York University. Education: Ph.D Cornell University
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